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Evenly-suspended attention
Evenly-suspended attention is the kind of direction-less listening - removed from both theoretical presuppositions and therapeutic goals - recommended by Sigmund Freud for use in psychoanalysis.〔Janet Malcolm, ''Psychoanalysis: The Impossible Profession'' (1988) p. 26〕 By attaching no preconceived importance to any particular part of the analysand's discourse, and allowing his or her unconscious complete freedom to act, the analyst can best profit from the counterpart rule of free association on the part of the analysand.〔Jean Laplanche & Jean-Bertrand Pontalis, ''The Language of Psychoanalysis'' (Karnac) p.43〕
Such "hovering" attention (as Freud put it in 1909 in the case of Little Hans) was a technical development on his part from the more aggressive listening and interpretation of the 1890s, as his shift from hypnosis to psychoanalysis took gradual shape.〔Peter Gay, ''Freud'' (1989) p. 73〕
==Later developments==
Since Theodor Reik and his 1948 study ''Listening with the Third Ear'', more analytic emphasis has been placed on the dialectic between evenly suspended attention, and the analyst's cognitive working-over of what s/he hears.〔J. R. Suler, ''Contemporary Psychoanalysis and Eastern Thought'' (1999) p. 131〕 The part played by countertransference and by the analyst's role responsiveness has also been highlighted.〔R. Oelsner ed. ''Transference and Countertransference Today'' (2013) p. 83〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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